![]() You can always improve the sound, but you need to start somewhere. At the most basic level, this means making sure every input is receiving a clear signal with no hum, noise or feedback. Before anything can sound amazing, everything has to sound good. The three pillars outlined below represent the fundamental elements of a good mix, and will inform every decision from here on. When working with unfamiliar acts multiple times a week, it’s not usually possible to develop a specific approach for each performance-especially with limited time to prepare. ![]() Assuming several known factors, such as the venue itself and a house PA system, these strategies provide a framework for approaching unfamiliar situations with confidence and achieving great sound-every time. This blog will provide strategies for successfully navigating any kind of production, from the earliest stages of planning and paperwork all the way to soundcheck and showtime. From solo performers and jazz trios to larger chamber ensembles and theater troupes, the wide variety of possible formats and genres demands a flexible and efficient workflow to make each show a success with minimal prep time. ![]() ![]() Staff sound engineers at venues often have to accommodate wildly different types of acts each night, each with their own technical requirements and logistical challenges.
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